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He applied the tone of the wings by carefully rubbing the chalk away. This is the largest moth native to Europe. Van Gogh used a fine pen and brown ink to fill in the legs and antennae, added a few little lines to the wings and drew an extra outline around them.

Ed. He used the same ink with a pen and brush to draw a frame around the image. ], Philadelphia (Pennsylvania), Philadelphia Museum of Art, Kyoto, National Museum of Modern Art (Kyoto), J.B. de la Faille ; bijdragen van Abraham M. Hammacher en Jan G. van Gelder ; vert. Furthermore, we use cookies to display ads tailored to your interests on other websites. By clicking ‘Accept’, you consent to the use of these cookies. van Gogh, ], Pittsburgh (Pennsylvania), Carnegie Museum of Art,

{{pageTransitionStateText}} ], Giant Peacock Moth.

von Flemming Friborg, Sandra Gianfreda, Johannes Wieninger... [et al. He believed it to be a death’s head moth, ‘its coloration astonishingly distinguished: black, grey, white, shaded, and with glints of carmine or vaguely tending towards olive green; it’s very big’. by Marije Vellekoop, Ella Hendriks, Leo Jansen ... [et al.] Vincent van Gogh (1853 - 1890), Saint-Rémy-de-Provence, May 1889 Saint Louis, City Art Museum of Saint Louis, Portland (Oregon), Portland Art Museum (Oregon), Antwerp, Zaal Comité voor Artistieke Werking, Credits (obliged to state): Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) In … ], Leo Jansen, Renske Suijver ; met een bijdrage van Ann Blokland, chalk, pen and brush and ink, on paper, 16.3 cm x 24.2 cm Vincent van Gogh found this large emperor moth in the garden of the clinic at Saint-Rémy. Language Charlotte van Rappard-Boon, Willem van Gulik, Keiko van Bremen-Ito ; with an introd. By clicking ‘Accept’, you consent to the use of these cookies. from H. van Crimpen ... [et al.

jardin-perdu / Great Peacock or Giant Peacock Moth (Saturnia pyri) - jardin-perdu. on Van Gogh's Utopian Japonisme by Tsukasa Kodera, Cornelia Homburg, Simon Kelly, Laura Prins ... [et al.

Giant Peacock Moth Vincent van Gogh (1853 - 1890), Saint-Rémy-de-Provence, May 1889 chalk, pen and brush and ink, on paper, 16.3 cm x 24.2 cm Credits (obliged to state): Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation) by Cornelia Homburg ; Anabelle Kienle, Joseph J. Rishel, Jennifer A. Thompson ; with contributions by Rakhee Balaram, Noelle C. Paulson, Ulrich Pohlmann ... [et al. ], Antwerp, Zaal Comité voor Artistieke Werking, ], Richard Kendall, Sjraar van Heugten, Chris Stolwijk, Eliza E. Rathbone, William H. Robinson, Elizabeth Steele ... [et al.] ], Manchester (England), Manchester City Art Gallery, Hrsg. Williamstown, Sterling and Francine Clark Art Institute, Sous la direction de Cornelia Homburg ; Anabelle Kienle, Joseph J. Rishel, Jennifer A. Thompson ; avec des contributions de Rakhee Balaram, Noelle C. Paulson, Ulrich Pohlmann ... [et al.
by E. van Uitert and M. Hoyle; with contrib. ; with contributions by Sylvia Albro, H. Travers Newton and Galina K. Olmsted, Philadelphia (Pennsylvania), Philadelphia Museum of Art, Kyoto, National Museum of Modern Art (Kyoto), Tokyo, National Museum of Western Art (Tokyo), Préface Albert Chatelet ; V.W. Vincent van Gogh (1853 - 1890), Saint-Rémy-de-Provence, May-June 1889 Bombyx pyri [Denis & Schiffermüller], 1775; International Common Names. He did, however, paint another version later, basing himself on this drawing, which is how the splashes of oil paint got onto the paper.
Ed.
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