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The Archibald Prize is now in its 81st year. To make artwork enquiries, follow artists and galleries, save and share artworks and receive our newsletter. View Cherry Hood’s artworks on artnet. Cherry Hood won the Archibald Prize in 2002 with a portrait of Australian pianist Simon Tedeschi. Her large-scale youths are composites, drawn from a range of sources, from individual sitters (other artists and their children, Hood’s own sons) to images of young men and girls borrowed from fashion magazines. Having travelled to the Mediterranean multiple times throughout her career, it is apparent that the sculptural representation of classical male figures in the transition between childhood and adulthood, innocence and sexuality, have been an influence here. Hood primarily focuses on human subjects, mostly young and male, though there have been female studies, and animals. See more ideas about Hood, Art, Artist. Concentrating predominantly on masculine subjects to escape the historically loaded representation of females, with their tendency to evoke sexualised readings, Hood can use male youths without the overwhelming context of the past to forge new, important questions by ‘gently reversing and ironically commenting on issues of gender and identity’.

A solo exhibition which travelled to Zürich and Toronto during 2002, entitled Brüder, featured eighteen portraits of adolescent boys in watery flesh pink, cream and beige hues on a white background. This will be Cherry’s first solo exhibition in Perth. It was a picture of acclaimed young Australian pianist Simon Tedeschi that first caught Cherry Hood's eye. Simply click the link and enter your new password to complete this process.Scan the QR Code via WeChat to follow Ocula's official account.Cherry Hood’s artistic practice has centred around the portrait, a genre which has a long and perpetual history crossing cultures, time and space. Cherry Hood is best known for winning the Archibald Prize in 2002. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. 3, 2004, p. 402. They met around 10 years ago when they were both exhibiting at the same Sydney gallery. For more information please We have sent you an email containing a link to reset your password. Cherry Hood’s artistic practice has centred around the portrait, a genre which has a long and perpetual history crossing cultures, time and space. ‘He looked fantastic’, says Hood. ARC one gallery, 45 Flinders Lane, until November 27. She met Ben Quilty recently when they both had work in the exhibition Truth and likeness at the National Portrait Gallery in Canberra. While most artists explore portraiture at some point in their careers, whether portraits of sitters or the introspection of the self-portrait, Hood is a painter of children and adolescents, not quite portraits, but neither imaginary figures or faces.

Cherry has become well known for her haunting, large-scale images of young boy’s faces. Cherry Hood, who won the Archibald Prize in 2002 with a portrait of pianist Simon Tedeschi, has wanted to paint Zavros’s portrait for many years.

Cherry Hood Title Ben Quilty Medium watercolour and varnish on canvas Dimensions 240 x 180cm Further information. For any transaction, whether acquisition or sale; discretion, transparency and professionalism are paramount. November 17, 2004 — 11.00am. Our database has art auction market prices for Cherry Hood, c1960-., Australia and other Australian and New Zealand artists covering the last 40 years sales. You can manage the artists and galleries you follow in Discover the Best of Contemporary Art NowHood’s most recent works, moving away from the bust, place her children into landscape or dark, dangerous backdrops.

A place of imagination but simultaneously danger, Hood explores the isolation of the lost child in the Australian bush and the misplay of children in their search of self. All collectively named Brüder (1-18) or ‘brother’, they at first seem to depict the same model, but on closer inspection there are notable distinctions between physical features and expression.

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